1,139 Royalty-Free Audio Tracks for "Enigmatic Musical Scales"

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Violoncello chord on D.

Supertonic diminished seventh chord in C (D♯=E♭).

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Dominant thirteenth: four-voice version.

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Viennese fourth chord.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

Sharpened subdominant with diminished seventh chord in C.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Major triad on C. Created using Sibelius.

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Leading-tone seventh chord in C major.

Add6 chord on C

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

Augmented triad on C, As MIDI

Secondary dominants in Beethoven's Symphony No. 1, introduction.

German sixth with 6/4 resolution, generated on Sibelius.

Compound minor third on C (Augmented ninth), MIDI

Barbershop bell chord. Pitch bend matches just intervals.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Augmented dominant seventh chord on C

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Werckmeister temperament major chord on C.

*Undecimal diesis on C. Just: 45:44 = 38.91 cents. Limit: 11-limit.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.